

In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation and abstraction.
Von Schantz served as Professor of Graphic Arts at the Royal Academy of Art in Stockholm (1963–1973) and later as Director of the Museum of Modern Art (1973–1977). His works are held in the collections of the Swedish National Gallery and the Museum of Modern Art.
Signed and numbered 11/260 by artist. Presented in good vintage condition.
H0 W0 cm
In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation and abstraction.
Von Schantz served as Professor of Graphic Arts at the Royal Academy of Art in Stockholm (1963–1973) and later as Director of the Museum of Modern Art (1973–1977). His works are held in the collections of the Swedish National Gallery and the Museum of Modern Art.
Signed and numbered 11/260 by artist. Presented in good vintage condition.
H0 W0 cm
In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation…
In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation and abstraction.
Von Schantz served as Professor of Graphic Arts at the Royal Academy of Art in Stockholm (1963–1973) and later as Director of the Museum of Modern Art (1973–1977). His works are held in the collections of the Swedish National Gallery and the Museum of Modern Art.
Signed and numbered 11/260 by artist. Presented in good vintage condition.
H0 W0 cm
In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation…
In this 1956 etching, Philip von Schantz distills the everyday into stark geometry. A bowl, pot, and fruit anchor a checkered surface, their outlines sharpened by contrasts of shadow and light. The work carries both restraint and intensity, an early glimpse of the artist’s precise hand, and interest in the still life as both observation and abstraction.
Von Schantz served as Professor of Graphic Arts at the Royal Academy of Art in Stockholm (1963–1973) and later as Director of the Museum of Modern Art (1973–1977). His works are held in the collections of the Swedish National Gallery and the Museum of Modern Art.
Signed and numbered 11/260 by artist. Presented in good vintage condition.
H0 W0 cm
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